Second To Last Chance

Just a quick reminder. Today is Thursday which means this weeks duo of free audiobooks from SYNC, are now available! Don’t forget, you’ll need the free Overdrive Media Console App to listen.

  poweredbyOverDrive_ColorWhy do I keep hounding on the FREE audiobook thing every week? Well. . . .


That, and NEXT WEEK is the LAST WEEK of this summer long giveaway.

wpid-tumblr_m6wmxbusi31qmryh4o2_500.gifI know, I know. I don’t want it to end, either, Toby.

Week 13:

Courage Has No Color

By Tanya Lee Stone | Read by J.D. Jackson

Published by Brilliance Audio

World War II was raging, with thousands of American soldiers fighting overseas against the injustices brought on by Hitler. Back on the home front, the injustice of discrimination against African Americans was playing out as much on Main Street as in the military. Enlisted black men were segregated from white soldiers and regularly relegated to service duties. At Fort Benning, Georgia, First Sergeant Walter Morris’s men served as guards at The Parachute School while the white soldiers prepared to be paratroopers. Morris knew that in order for his men to be treated like soldiers, they would have to train and act like them, but would the military elite and politicians recognize the potential of these men, as well as their passion for serving their country? Tanya Lee Stone examines the role of African Americans in the military through the lens of the untold story of the Triple Nickles as they became America’s first black paratroopers and fought a little-known World War II attack on the American West by the Japanese. The 555th Parachute Infantry Battalion, in the words of Morris, “proved that the color of a man had nothing to do with his ability.”

John Ball’s In the Heat of the Night
Based on John Ball’s novel which inspired the Oscar-winning film and the Emmy-winning television series, In the Heat of the Night pits a visiting black detective from California against a small Alabama town simmering with anger over desegregation. A fitting reflection of America in the 1960s, this Off-Broadway hit is provocative, timely, and uncomfortably relevant.
Please note: This title contains strong and racially charged language.


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